in this long combination of two scenes from Terrence Malick’s Badlands (1973), d

in this long combination of two scenes from Terrence Malick’s Badlands (1973), discuss the use of sound, in particular dialogue and music as it relates to the film’s diegesis. Discuss the dialogue and music in terms of diegetic, and non-diegetic sound. Does the dialogue or music start off as either diegetic or non-diegetic or does it remain one or the other throughout?
Does the dialogue or music transition from diegetic sound to non-diegetic sound and if so, describe how.

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